Boss RC20 Review

http://www.bosscorp.co.jp/products/en/RC-20/

 

I’m not big on effects pedals really, I’ve got a few floating around but generally the little amps that I use have a gain and reverb control and that’s enough for what I need. However I do have one that I love (apart from my Jimi Hendrix wah). The Boss RC20 loop station. This model is the middle one of the series, there is a smaller stomp box (RC2) and a larger version (RC50).

 

It was quite expensive and I am very grateful that my wife’s parents bought me one (does that mean I’m sponsored) otherwise, I personally wouldn’t have purchased it because of the price. This particular model has 16 minutes of total record time. For me that’s plenty. The RC2 also has 16 min. and the RC50 has 49 min. There are 11 slots to place your loops and you can overdub on top of your tracks. If your like me and you aspire to play “Tomorrow Never Knows”,  “Are You Experienced” or “Castles Made Of Sand” there is also a reverse mode to play backward phrases.

 

A negative for me is the fact that you have to kneel down to operate the thing (a lot). The foot pedals are only your on/off/overdub switches. So for example if you blow that perfect take your going to have to kneel down and reset it. The RC50 model rectifies this issue but at a cost. Another weird thing that I don’t like is that if I record something in a particular tone or effect then the overdub also has that effect. So essentially there is less colour between the takes. I might be doing something wrong but it definitely is a negative if I’m not.

 

The reason that I love this pedal though is that it gives my music making that third dimension. This adds more interest for me and makes my music more bearable for my long suffering family. It is invaluable for song writing because I can record a basic rhythm and then doodle around over the top of it until something gels for the next part. I can record that and then repeat the process to find the next part etc. The other thing I do with it is I record professional backing tracks onto it directly for practice. I’ve usually got one or two on there at any one time which leaves me with nine other tracks to play around with. The only limitation is the 16 minutes record time. I should also point out that it’s a sturdy little unit and if I was going to score it I would give it 4 ½ out of 5 rubber chickens.

 

You can Youtube plenty of examples of people who are expert at these things but a couple that I like are French performer Anäis and JP from the band Outlier.

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